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Krésha Bajaj opens up about her first-ever international showcase, foraying into prêt and having Samantha Ruth Prabhu by her side.
Fashion designer Krésha Bajaj and (right) Samantha Ruth Prabhu at Dubai Fashion Week.
Celebrated Indian fashion designer Krésha Bajaj made her international debut at the recently concluded Dubai Fashion Week. Krésha showcased her first-ever pret line with the collection, The Archive of Hidden Things featuring 27 looks in total, each one part of the narrative arc of Revelation, Obsession, Liberation.
Krésha’s runway showcase was celebrated by her dear friend and muse, Samantha Ruth Prabhu who looked glamorously chic in one of the designer’s new creations, called the ‘Magic Top’. Seated in the front row of the showcase, Samantha cheered on for Krésha through a series of images she posted on Instagram post the show.
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For Krésha, Dubai felt like home, so for her it wasn’t about changing her design language, it was about expanding. Sharing her experience at Dubai Fashion Week, Krésha Bajaj opens up about her first-ever international showcase, foraying into prêt and having Samantha Ruth Prabhu by her side.
How would you describe your first ever international showcase at Dubai Fashion Week?
It was overwhelming in the best way. Putting my work out there on an international stage felt both vulnerable and empowering at the same time. It was a reminder that fashion is universal. I think when something is honest and well-crafted, it speaks across cultures.
How was it having your dear friend, Samantha Ruth Prabhu come support you and how has her presence in your life helped your brand and your friendship?
It was absolutely amazing. I can’t imagine a big moment without her, it just wouldn’t feel the same. Sam is brutally honest, which I love, and she’s also my muse. She defines the KB [Krésha Bajaj] woman – powerful, determined, unapologetic, and always graceful. I have huge respect for her strength.
What’s the secret behind your undying love for the craft and how did it translate to The Archive of Hidden Things?
I’ve always believed that the craft is the soul of what I do. The Archive of Hidden Things was about showing that beauty isn’t always on the surface, sometimes it’s in the lining, the structure, or the detail only the wearer knows about. That’s where my love for handwork and construction really came through.
Walk us through the pieces that defined the collection and were celebrated by Dubai Fashion Week.
The collection was broken into three chapters. Revelation was the dreamier side, with handmade embellished lace, nude tones, and soft colors. Obsession brought in structure through corsetry and exaggerated shoulders, while Liberation opened into metallics, flowing embellished pieces, and a little skin. I also introduced kaftans as an ode to Dubai. What was really special for me was that every single silhouette, whether it was a dramatic corset look, a softer lace dress, or a kaftan, was received with the same excitement. Because Dubai is such a global city, there was a place for every piece, and it felt like the diversity of the collection truly resonated.
From couture to prêt, how smooth or challenging was the transition?
It was actually extremely smooth because my heart has always been in pret. It’s what I started with and what I love most, easy pieces, layering, mix-and-match separates, bold structure. At the end of the day, it’s prêt with the soul of couture. In a way, it feels like I’ve finally come back to designing in a way that’s completely me. The last few years I’ve been focused on bridal, which I truly love, but this collection reminded me where my soul really lies.
How has conscious craftsmanship and repurposed designs crafted a sustainable future for the brand?
We’ve always worked slowly and intentionally, but now we’re more focused on repurposing, taking embroideries, fabrics, or even whole garments and giving them new life. It’s not about chasing trends, it’s about making pieces that can evolve with you. That’s the most sustainable approach I can take.
How was the feedback post the show, since this was your debut international showcase away from home?
The feedback has been incredible. People really responded to the mix of structure and softness in the collection. For me, the best part was hearing that the details, the hidden embroidery, the corsetry, the finishes, were noticed and appreciated, even by people who were seeing my work for the first time.
One takeaway from Dubai Fashion Week that will always remain special.
The connection. Meeting people who had never seen my work before, and watching them connect with it on such a personal level, reminded me why I design. It was proof that fashion can cross borders when it’s rooted in honesty and craft.
About the Author
Completing almost two decades in journalism, Akshata Shetty’s journey from print to online journalism is a celebration of fashion, art and music. Akshata’s fashion stories are about the people who celebrate the…Read More
Completing almost two decades in journalism, Akshata Shetty’s journey from print to online journalism is a celebration of fashion, art and music. Akshata’s fashion stories are about the people who celebrate the… Read More
September 08, 2025, 18:07 IST
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Author: News18
