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Mohanlal’s film witnessed a healthy jump at the box office during its second weekend. The mystery drama continued its theatrical run with positive momentum and recorded growth on Saturday. The film has now crossed another major milestone globally.
Weekend boost helps collections rise
Mohanlal and Jeethu Joseph’s ‘Drishyam 3’ continued its steady run after witnessing a slowdown on Friday. The film returned to growth mode on Day 10.According to Sacnilk, Day 10 collection of Rs 5.05 crore represented a 17.4 percent growth from Day 9. The previous day had brought in Rs 4.30 crore in India net collections.
‘Drishyam 3’s India collections cross 91 crore net
On Day 10, ‘Drishyam 3’ collected a net total of Rs 5.05 crore across 2,570 shows. With this, the film’s overall India net collection has now reached Rs 91.30 crore.India gross collections have climbed to Rs 105.94 crore so far. The first week had ended on a strong note with Rs 81.95 crore in collections. Day 8 brought Rs 6.65 crore, while Day 9 saw collections dip to Rs 4.30 crore. Day 10 helped recover some of that decline.
Overseas market continues strong performance
The film collected Rs 6 crore overseas on Day 10. This pushed its overseas gross collection to Rs 113.75 crore. ‘Drishyam 3’ has now reached Rs 219.69 crore worldwide. The film is now moving steadily toward its next major box office target.
Kerala leads state-wise numbers
Kerala remained the biggest contributor among domestic territories. Kerala recorded Rs 4.35 crore in gross collections. Karnataka followed with Rs 61 lakhs. Tamil Nadu added Rs 35 lakhs while Andhra Pradesh and Telangana contributed Rs 25 lakhs. The Rest of India market added another Rs 30 lakhs.Occupancy also showed stronger evening and night trends. Malayalam occupancy stood at 38.35 percent overall. Night occupancy touched 56.83 percent.
ETimes review
ETimes gave the film 3 stars out of 5 and our review read, “Jeethu Joseph attempts to explore guilt, paranoia, and psychological exhaustion more than suspense this time. The focus is not entirely on investigation or survival, but on how violence silently continues to exist inside relationships, memory, and everyday life. Georgekutty’s greatest punishment is not prison, but the inability to live without fear.”At the same time, the film also exposes and to an extent glorifies, how cinema and society romanticise antiheroes. Georgekutty is projected not as a criminal, but as a common man who transforms into a “superhero” through intelligence and survival instinct. That emotional packaging becomes socially problematic. Audience continue to justify violence, manipulation, and crime because they are committed in the name of family protection.”DISCLAIMER: The box office numbers and the data in this article are compiled from public and industry sources. All figures are approximate unless explicitly mentioned, offering a fair representation of the movie’s box office performance. These totals may change as official studio data is updated or as additional international market reports are finalized. This data is provided by us for informational and entertainment purposes only. Go to Source
