At a time when hundreds of X (formerly Twitter) users are asking Elon Musk’s Grok AI to undress women, turning technology into a tool of voyeurism, something meaningful and heartwarming is brewing in Kerala. In this southern Indian state, people are using AI, not to strip their favorite characters bare, but to clothe them with new futures. Here, instead of creating non-consensual sexually explicit material, they are using the cutting-edge technology to heal wounds left by fictional characters and even reimagining their lives forward. For Keralites, cinema is more than mere entertainment. Films feed their soul. What-ifs are now being answered, thanks to AI. What if fate had something else in store for Vishnu (from ‘Chithram’)? Perhaps a second chance? What if Karthuamma and Pareekutty (‘Chemeen’) found their way back to each other? What if the story didn’t end there?
Rewriting the climax using AI
Jeevikan ipo oru moham thonnunnu, athondu chodhikuva, enne kollathirikkan pattumo? (I feel like living now. Is it possible not to kill me). This dialogue delivered by Vishnu (Mohanlal) in the 1988 Priyadarshan directorial ‘Chithram’ is etched in the hearts of every Keralite. For decades, viewers have wished for an alternate climax, where Vishnu gets a second chance at life. Then it wasn’t possible. Many movie buffs wondered why Priyadarshan had to be so cruel to his character. But we are now living in 2026, and suddenly, anything seems possible.A viral video that has amassed over 6 million views on Instagram reimagines the climax with the help of AI. This time, after Vishnu bids goodbye to Kalyani (Ranjini), the jeep stops, and the Jail Superintendent (MG Soman) asks him to run away before he changes his mind! The climax of our dreams! For years, Vishnu’s fate has remained as a deep wound in the collective memory of movie lovers, but today, in its strange and unexpected way, AI has offered a soothing remedy to soften the ache. Vishnu deserved a second chance; at least AI helped to rewrite the fate. Let him live in peace in a parallel universe!
AI heals Mollywood’s unresolved romances
From ‘Chemmeen’ to ‘Ennu Ninte Moideen’ and ‘Premam,’ many Malayalam films have delivered love stories that were cut short by fate, circumstance, or societal constraints. Yes, tragic love stories do make a lasting impression. But what about the viewers? Where do we take this pain? Be it Karthuamma and Pareekutty (‘Chemeen’), or Kanchanamala and Moideen (‘Ennu Ninte Moideen’), or George and Malar Miss (‘Premam’), or Anna and Rasool (‘Annayum Rasoolum’)—their unfinished stories and tragic fate refuse to fade from the memories of the audience. Using generative AI, movie buffs are uniting them. The what-ifs that the original films never allowed are finally finding a home on the internet. A series of pictures of these fictional couples’ reunion is now going viral. The post titled ‘The reunion of our dreams’ also showcases the couples from ‘Vandanam,’ ‘Classmates,’ and ‘2018.’ Filmmakers and scriptwriters refused to rewrite their fate, but the internet did. No, it’s not a mere wish fulfillment but a bridge between nostalgia and imagination.
Cult classics return for a sequel
It’s been 32 years since the release of ‘Manichitrathazhu’, directed by Fazil. Even after three decades, this cult classic hasn’t lost its entertainment value and continues to be one of the most talked-about films from Malayalam. The film does have a perfect climax; however, most of the viewers wonder what’s next. Does Nagavalli’s story truly end? Or is she still lingering in silence, maybe in Ganga’s subconscious self? Could she be defeated that easily?What if Ganga (Shobana) and Nakulan (Suresh Gopi) returned to their ancestral home, Madampalli Tharavad, after a decade? All those unanswered questions are now addressed. With the help of AI, movie buffs are now reimagining sequels, spinoffs, and even alternative storylines. A video that has over 2 lakh views on Facebook reimagines Ganga and Nakulan’s return. They are joined by Sunny (Mohanlal) and Sreedevi (Vinayaprasad). Remember, Sunny, had confessed his love! He even authored a new book, based on Pullattuparam Brahmadathan Namboothiripad (‘Thilakan’)! In these fan-driven stories, characters take new paths.
Audience now gets to reshape fictional characters, but what about the ethics of AI use
Until now, the audience had absolutely no role in the creative process of a film. But AI changes that. Though most of these recreations are not used commercially. It certainly gives the audience the power to rewrite narratives. They now have a say in the plot, but at what cost? But this also raises important questions about consent, especially as these filmmakers, actors, or writers have never signed up to have their work repurposed, even if it’s on social platforms. The ethics of reuse, rights, and consent remain. For now, these recreations and reimaginations bring nostalgia and heal our broken hearts. But as AI tools advance, what awaits us in the future? A full-blown sequel to ‘Manichitrathazhu’ or ‘Chitram’, which the makers never agreed to? Let’s not forget that even Leonardo DiCaprio has expressed his concern over AI stealing jobs and authenticity. Go to Source
